Gast Bouschet & Nadine Hilbert, who started collaborating in the
1980s, have since created a complex body of work based on the
photographic image. Their practice has been developing into
multimedia installations that seamlessly intertwine still and moving
imagery. Collision Zone, their installation for the 53rd edition of
the Venice Biennial, uses a string of video images recorded near the
Strait of Gibraltar and on the shores of Sicily to initiate a
multi-layered aesthetic and socio-political reflection.

Although geologic imagery pervades the artists' cinematographic work,
the title of their site-specific installation reaches beyond a mere
evocation of tectonics, i.e. the clash of continental plates. In the
course of their research Bouschet & Hilbert have travelled to the
borders of Europe, focusing on sensitive areas where the continent
has become one of the best-protected territories in the world, a
phenomenon commonly summed up under the catchphrase "Fortress
Europe". The coldness and cruelty of these borders, which have long
since become a physical reality, was forecast as early as 1961 by the
historical theorist of post-colonialism Frantz Fanon.

Collision Zone functions as a metaphor for the divide between two
worlds: the African continent and the European Union. The apparent
aesthetic appeal of the images and sound in Bouschet & Hilbert's
visual parable is undermined by the dark and menacing undercurrent
– or "subduction", if you will – that permeates the artists'
recent production, a series of archives of on-site image and sound
recordings. Thanks to a tight editing of the documentary footage that
allows the artists to construct new associations and meanings,
Collision Zone extends into the distinctly political realm of human
rights, asking if there is something like a universal right to
immigration.

Beyond its tragic immanence, Collision Zone addresses the reign of
technological mythology as famously depicted by J. G. Ballard in his
seminal novel Crash! (1973). Following the British writer's thread,
Gast Bouschet & Nadine Hilbert's films merge aspects of modernity
with deeply rooted archaisms in visually challenging
environments.


Gast Bouschet (*1958) and Nadine Hilbert (*1961) were both born in
Luxembourg and for the moment they are living between Luxembourg,
Brussels and elsewhere. Bouschet takes and exhibits his photos and
videos all over the world since the 1980s, particularly fascinated
with the potential of the recorded image as a reflection, a comment
and transformation of political and social-economic sign systems,
visible within the morphology of urbane tissues and border zones.
Since 1998 he has worked with Nadine Hilbert, who insured, among
others, the sound for projects like Radio Cosmos (1998), This Space
Between Us (2000), Zona Del Silencio (2001) and the online project
http://www.thetrustfiles.net

Numerous group and solo shows including: MUDAM, Luxembourg,
Luxembourg 2008; Trienal de Luanda, Angola 2007; Vitrines, Dudelange,
Luxembourg 2007; Camouflage, Brussels, Belgium 2005; Busan Biennale of
Contemporary Art, Korea 2002; Casino, Luxembourg, Luxembourg 2002;
Camouflage, Johannesburg, South Africa 2000; MUHKA, Antwerp, Belgium
2000; CCA, Glasgow, Scotland 1998.