La Galleria Gio Marconi è lieta di presentare la mostra personale dell’artista Lothar Hempel, intitolata “Cafe Kaputt”.

Tre grandi installazioni, tre sculture e tre grandi collage fotografici a forma di diamante sono in mostra in galleria nello spazio al piano terra. Essi ritraggono memorie ed emozioni, fatti e mitologia, pensieri, citazioni e vite, che intervengono e co-esistono, fertili o sterili. Le immagini di Hempel si radunano nel mezzo di tutto questo, come acqua in grotte sotterranee.

E’ un caos, un punto zero a partire dal quale tutto e niente è possibile.

Hempel dice “I miei disastri sono soprattutto bellissime e deliberate catastrofi. Sono momenti di passaggio da una possibilità ad un’altra e semplicemente segnano un momento tra le due”.

Se il Modernismo ha messo in secondo piano il contesto a favore del contenuto, Hempel fa il contrario – ammassando immagini così piene di riferimenti e idee che è difficile sapere da dove iniziare a guardarle.

Lothar Hempel tratta il mondo come un gigante ready-made in movimento e incoraggia l’arte – in quanto oggetto, idea o stile – a smaterializzarsi in differenti reami.

Hempel chiede a chi guarda niente di meno che diventare allo stesso tempo attore e spettatore, assumendo un ruolo attivo nell’interpretazione e creazione di significato: un significato che emerge nel suo lavoro in modo simile a come emerge in un sogno - come lampi d’intuizione, momenti di lucidità/chiarezza e attraverso frammenti, connessioni, segni e suoni dell’ambiente in cui ci troviamo.

Un estratto da un’intervista tra Emma Stern e Lothar Hempel mette in luce quanto detto sopra:

ES: “Una volta hai detto che il tuo lavoro riguarda lo show business. Che vuoi dire con questo?”

LH: “Lo Show business nei suoi vari aspetti è visto qui come una metafora. Mi diverte vedere l’Io entrare per scelta in un ruolo. Tu impersoni questo ruolo e nient’altro, ma lo stesso c’è un momento di estraniamento, un gap, qualcosa di fisico, anche se completamente astratto. E’ una ferita che non smetterà mai di sanguinare. Un dramma senza fine. Quando tu dici “Io”, è come se entrassi in un teatro. E’ troppo luminoso là sopra e ti accecherà. E’ troppo caldo là sopra, e tu ti senti goffo e irrigidito, ma sei un professionista e vai avanti. Alla fine ti prende il panico quando realizzi la presenza della folla davanti a te, che tu non puoi vedere, solo sentire, perché respira. Come un animale, eppure meccanica. Ma tu sei un professionista e quindi vai avanti.

Il teatro è un macchinario. Il pubblico è parte di questo macchinario come viti, tubi, porte e puntelli e allarmi antincendio e tickets e piumini e fiori e altoparlanti e lampade. Il pubblico è parte di questo macchinario anche quando non sta seduto sulle sedie. Il pubblico è parte di questo macchinario persino prima che venga a teatro. Gli spettatori sono parte di questo macchinario dopo aver lasciato il teatro. Quando sono nelle loro macchine e quando guidano verso casa, fumando, sognando, dimenticando velocemente quello che hanno appena visto.”

ES: “Aha, bene, e che cos’è Kafe Kaputt?”

LH: “Cafe Kaputt è il luogo dove gli attori vanno quando lo spettacolo è finito.”


Lothar Hempel nasce a Colonia, Germania nel 1966. Ha studiato alla Kunstakademie a Düsseldorf e ora vive e lavora a Berlino.

Lothar Hempel ha tenuto mostre personali presso: Anton Kern Gallery, New York; Stuart Shave/Modern Art, London; Art:Concept, Paris; Douglas Hyde Gallery, Dublin; Unlimited Contemporary Art, Athens; Dallas Museum of Art, Dallas; Institute of Contemporary Art (ICA), London; Daniel Buchholz, Cologne; Esther Schipper, Cologne; The Stedelijk Museum, Amsterdam; The Preview Theater, London.

Tra le mostre collettive: Beaufort 03, Ostend; CAPC Musée d’Art Contemporain de Bourdeaux, Bourdeaux; Athens Biennale; Biennale Estuaire Nantes—Saint-Nazaires; Eastside Projects, Birmingham; Modern Art, London; FRAC_Champagne-Ardenne, Reims; the 7th Gwangju Biennale, Korea; Lustwarande Skulpturenpark, Tilburg, The Netherlands; The Barbican Art Gallery, London; Thomas Dane Gallery, London; ZKM, Museum fur Neue Kunst, Karlsruhe; Fondazione Sandretto Re Rebaudengo, Turin, Italy; Tate Liverpool; Kunsthalle, Duesseldorf.

Opere di Lothar Hempel sono presenti nelle collezioni: The Honart Museum / Ebrahim Melamed Collection, Teheran; Sammlung Goetz, München; Astrup Fearnley Museum of Modern Art, Oslo; Saachi Collection, London; Skulpturenpark, Tilburg; Museum of Modern Art, New York; FRAC Champagne, Reims

LOTHAR HEMPEL

1966 Born in Cologne, Germany
Kunstakademie Düsseldorf, 1987-1992
Lives and works in Cologne, Germany


SOLO EXHIBITIONS

2009 Kats, Nerves, Shadows & Gin, Anton Kern, New York
MGM, Oslo
Gio Marconi, Milan

2008 Casanova & Other Problems, Stuart Shave Modern Art, London
Signal, Art : Concept, Paris
Casanova, The Douglas Hyde Gallery, Dublin, Ireland

2007 Alphabet City, Magasin, Centre National d’Art Contemporain, Grenoble, France - curated by Florence Derieux, Le Magasin, Grenoble (cat.)
Effetti Speciali, c/o – Atle Gerhardsen, Berlin

2006 Umbrella, Anton Kern Gallery, New York
Tarantella, Bar Ornella, Köln

2005 casa musica (extrema), Atle Gerhardsen, Berlin
Butterfly, c/o Atle Gerhardsen, Art Nova, Art Basel Miami Beach, Miami

2004 Fieber/Fever: 5 New Paintings and Other Stories, Anton Kern Gallery, New York
Ikarus, Art: Concept, Paris
On the Olympus, Unlimited Contemporary Art, Athens
Versteck! with Petra Hollenbach, Parkhaus, Düsseldorf

2003 Der Gesang der Vögel ist sinnlos! (The Song of the Bird is Nonsense!), Anton Kern Gallery, New York

2002 Diamanten, c/o Atle Gerhardsen, Berlin
Fleisch: Maschine, Magnani, London
Concentrations 42, Dallas Museum of Art, Dallas, TX
Propaganda, Institute of Contemporary Art (ICA), London
Wespennest, Dallas Art Museum, Dallas

2001 Magnet, Art:Concept, Paris

2000 Das Orakel lächelt. Das Orakel lacht. Das Orakel lächelt. Ars Futura Galerie, Zurich
An Schlaf ist nicht zu denken, Lab of Gravity, Hamburg
Wespennest, (Wasp’s Nest) Anton Kern Gallery, New York

1999 Amerika verschwindet nur das Lächeln bleibt (America Disappears Only the Smile Remains), Anton Kern Gallery, New York
KAPUTT und die Folgen (Kaputt and the Consequences), Robert Prime, London
Videos, Centre Saint Gervais, Geneva

1998 Ein Sandstrand voll Glas (A Beach Full of Glass), Galerie Daniel Buchholz, Cologne
Kunstschnee will schmelzen, Bureau Amsterdam, Stedelijk Museum, Amsterdam
1997 Samstag Morgen, Zuckersumpf, Robert Prime, London
This Bittersweet Disaster, Anton Kern Gallery, New York

1996 Strom, Anton Kern Gallery, New York
The Bienenkorb Times, Galerie Daniel Buchholz, Cologne
FRAC Languedoc Roussillon, Montpellier

1994 LOW, Artistbooth, Cologne Art Fair, Cologne
LA BOUM, with Thorsten Slama, New Reality Mix, Stockholm
OMRON, six videos by Lothar Hempel, Preview Theatre Wardour Street, London
Bewegungslehre (No Future), Buchholz und Buchholz, Cologne

1992 240 Minuten, with George Graw, Galerie Esther Schipper, Cologne


GROUP EXHIBITIONS

2009 Art by the Sea, Beaufort 03, Ostend
Jean-Luc Blanc: Opéra Rock, curated by Alexis Vaillant, CAPC Musée d`Art Contemporain de Bordeaux, Bordeaux
Heaven, Athens Biennale, Athens
Biennale Estuaire Nantes < > St. Nazaires, Fond régional d`Art Contemporain des Pays de la Loire / Hangar à bananes, St. Nazaire
Beaufort 03, Triennial for Contemporary Art, Blankenberge
SCULPTURE SHOW, Eastside Projects, Birmingham

2008 Sphinxx, curated by Alexis Vaillant, Modern Art, London
La Fete Est Permanente / The Eternal Network, FRAC - Champagne-Ardenne, Reims
A show of many parts, each part more spectacular and elaborate than the last, curated by Kirsty Ogg, The City Gallery, Leicester
7th Gwangju Biennale, Korea
Art Berlin Contemporary 2008, c/o – Atle Gerhardsen, Berlin
Family and Friends, Anton Kern, New York
Lust warande, Skulpturenpark, Tilburg
Mystery of the Invisible Clock, curated by Joshua Nathanson, Karyn Lovegrove House, Hancock Park, Los Angeles
Martian Museum of Terrestrial Art, Mission: to interpret and understand contemporary art, Barbican Art Gallery, London
Lustwarande 08 – Wanderland, Tilburg, Holland

2007 Effigies, Modern Art, London
L.A. Desire, Dennis Kimmerich, Düsseldorf
Half square, half crazy / À demi carré, à demi fou, Centre National d’Art Contemporain de la Villa Arson, Nizza
Very Abstract and Hyper Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London
Pale Carnage, Dundee Contemporary Arts, Dundee
Galleri MGM, Oslo
Pale Carnage, Arnolfini, Bristol
Imagination becomes Reality. Werke aus der Sammlung Goetz, ZKM – Museum für Neue Kunst, Karlsruhe

2006 Implosion, Anton Kern Gallery, New York
Pelouses autorisées, Parc de la Villette, Paris
The Triumph of Painting, Part 4, The Saatchi Gallery, Londres / Leeds City Art Gallery, Leeds
Angela Bulloch, A K Dolven, Olafur Eliasson, Ceal Floyer, Liam Gillick, Lothar Hempel, Rirkrit Tiravanija, Galleri MGM, Oslo
I Love My Scene: Scene 1 (curated by Jose Freire), Mary Boone Gallery, New York

2005 Growing Up Absurd Problems of Youth in the Organized System, Kent Institute of Art and Design, Kent, Grande-Bretagne
The difference between you and me, The Ian Potter Museum of Art, Melbourne, VIC
Imagination becomes Reality, Part II. Painting Surface Space, Sammlung Goetz, Munich
Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin
World artists now !, Bijutsu Shuppan-Sha, Japan

2004 She’s Come Undone, Artemis Greenberg Van Doren Gallery, New York (curated by Augusto Arbizo)
Now is a Good Time, Andrea Rosen Gallery, New York (curated by Dean Valentine)
The Snow Show, Tate Liverpool, UK
The Snow Show, Cities of Kemi and Rovaniemi, Lapland, Finland (curated by Lance Fung)
Curb Your Enthusiasm, Millers Terrace, Londres
The Drawing Project, Vamiali’s, Athènes
Creative Growth, CCA, San Francisco

2003 Dark Shadows, Marc Foxx Gallery, Los Angeles
Michael Kohn Gallery, Los Angeles
Hands Up, Baby, Hands Up! 160 Jahre Oldenburger Kunstverein, 160 Arbeiten auf Papier, Oldenburger Kunstverein, Oldenburg

2002 Schöne Aussicht, Galerie Otto Schweins, Cologne
It’s Unfair! Museum de Pavilijoens, Almere
Accrochage, c/o Atle Gerhardsen, Berlin
Internationales Netzwerk, Fluxus und die Folgen, Karstadt Wiesbaden
Les vertus sont des titres, les souffrances sont des droits. Exposition de la collection du Frac Poitou-Charentes, Hôtel Saint-Simon / Théâtre d’Angoulème, Angoulême

2001 A New Horizon, Art:Concept, Paris,
Uniform: Order and Disorder, P.S.1, New York
Und keiner hinkt 22 Wege vom Schwegler wegzukommen, Museum Kurhaus Kleve,
Kunsthalle Düsseldorf, Düsseldorf, D
Drawings, Galeria Sales, Rome, I
I LOVE New York, Anton Kern, New York
Beauty Of Intimacy - Lens and Paper, Kunstraum Innsbruck

2000 Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago
10 Jahre Ars Futura, Ars Futura, Zurich
Portraits, Thomas Rehbeiin Galerie, Cologne
Beauty of Intimacy – Lens and Paper, The Loudon Collection, Gemeentemuseum Den Haag, Staatliche Kunsthalle Baden-Baden
1999 Titles for Drawings, AC Project Room, January, New York
oldNEWtOWn, Casey Kaplan, January, New York
Who, if not we?, curated by Yilmaz Dziewior, Elizabeth Cherry Contemporary Art, Tucson, Arizona
Nur Wasser Lässt sich leichter schneiden, Projektraum Hafen, Hamburg
Dessins, Forde Gallery, Geneva
A Radiant Future, Forde – Espace d’art contemporain, Genève
Officina Europa, Galeria d’Arte Moderna, Bologna

1998 Conspirazione, Collection Re Rebaudengo, Turin
Roommates, Van Loon Museum Amsterdam
Yesterday Begins Tomorrow: Ideals, Dreams, and the Contemporary Awakening, curated by Francesco Bonami, Bard College, New York
Galerie Daniel Buchholz, Cologne
El Niño, Städtisches Museum Abteiberg Mönchengladbach
ars viva 98/99 - Installationen, Brandenburgische Kunstsammlungen Cottbus, Kunstverein Braunschweig, Portikus Frankfurt am Main
Zone, Fondazione Sandretto Re Rebaudengo, Turin

1997 Group Show: Painting, Photography, Drawing, Anton Kern Gallery, NY
Aura, (with Walter Dahn, Rosemarie Trockel & Dirk Bell) Galerie Ars Futura, Zürich
X 2, Wiener Secession, Vienna
Panic, ICA, London
Palais des Beaux Arts, Brussels
Surprised, Kunsthalle Nürnberg
Bring your own Walkman, W 139, Amsterdam
Delta, a geographical expression, curated by Francesco Bonami, Musée d'Art Moderne de la Ville de Paris
Cologne show, Goethe Institut Turin

1996 Glockengeschrei nach Deutz, das Beste aller Seiten!, Daniel Buchholz, Cologne
This really nice, a project with students from the royal academy of arts, Aircondition, Copenhagen
TRAFFIC, curated by Nicolas Bourriaud, CAPC Musée, Bordeaux
PUSH UPS, The Factory, Athens
AUTO REVERSE 2, le magasin, Grenoble
How will we behave?, Robert Prime Gallery, London
Escape Attempts, curated by Simon Sheik and Globe, Christiania, Copenhagen

1995 Atomic!, Oberwelt Galerie, Stuttgart
Auto Reverse, Centre Européen de la Culture, Geneva
The Video Collection, Filmfestival Knokke, Knokke, Belgium
Figures, Le Parvis, Centre Meridien
The Moral Maze, curated by Liam Gillick and Philippe Parreno, e Consortium, Dijon
Stoppage, curated by Liam Gillick, CCC Tours, Villa Arson, Nice
I Confess, Nicolay Art Center, Copenhagen
Purple 8 1/2, curated by Purple Prose, Galerie Jousse Seguin, Paris
L‘Hiver de l‘Amour, Part 2, PS 1, New York
Aperto, previously unreleased! curated by Sabrina Grassi, APAC Nevers
Photomontage, le Consortium, Dijon
Labyrinthe Morale, curated by Liam Gillick and Philippe Pareno L‘Usine, Dijon
X/Y, curated by Christine van Asche, Centre Georges Pompidou, Paris
Palast der Künste, Utopie macht endlos, (Lotus Club), Kölnischer Kunstverein, Cologne

1994 Sonne München, Galerie Daniel Buchholz, Cologne
Homegrown, Lotus Club, Cologne
Grand Prix, Air de Paris, Nice
L‘Hiver de l‘Amour, Musée d‘art Contemporain de la Ville de Paris, Paris
Rue des Marins, Air de Paris, Nice
Residence Secondaire, Galerie Sabrina Grassi, Paris
20, curated by Tomaso Corvi-Mora, Galleria Pascale Laccese, Milan
Caravanserai, Galerie W 139, Amsterdam
Henry Bond, Olafur Eliasson, Lothar Hempel, Saga Basement, Copenhagen
Das Studium der Kunstgeschichte, Schleifschnecke, Künstlerhaus Stuttgart
Miniatures, the Agency, London
Mixbild, Galerie Esther Schipper und Michael Krome, Cologne
13 Levels of Meaning,"with Henry Bond, Ars Futura, Zurich
Atomic, Neurotic, Exstatic,"curated by Hendrik Larsson, The New ROOM, Göteborg

1993 Some artists I've been thinking about who falls under the title of: Wouldn't it be more pluralistic to embrace turmoil and/or violence?, Andrea Rosen Gallery, New York
Galerie Esther Schipper at the Christopher Grimes Gallery, Santa Monica, CA
Biennale di Venezia, APERTO, Venice
Summer Show, Galerie Esther Schipper, Cologne
Future Book Collection, Air de Nice, Nice
Fuck the System, Villa Rossi, Lucca
Food for Thought, curated by Felix Gonzalez-Torres, Franklin Furnace, New York
Phenylovethylamour, Unfair 1993, project by Lothar Hempel and Carsten Hoeller, Galerie Daniel Buchholz, Cologne
Unplugged, curated by Nicholas Bourriaud
jeder kind is van marmer, Bloom Gallery, Amsterdam
Christmasshop, Air de Paris, Paris
Video, Galerie Sabrina Grassi, Paris
7e Semaine Internationale de Video (S.I.V.), Centre pour l’Image contemporaine Saint-Gervais, Genève *

1992 Prince, Madonna, Marky Mark & Cinderella, Ancient Etablissement Sacré, Liège,
Paradise Europa, BIZART, Copenhagen
Tattoo Collection, Air de Paris & Urbi et Orbi at the Jennifer Flay Gallery, Paris Galerie Daniel Buchholz, Cologne, and Andrea Rosen, New York
Galerie Monika Sprüth, Cologne
Galeria Pasquale Leccese, Milan


EVENTS

1995 Trinkwasser! Jazz Festival Köln, Cologne
Wie kann ich sagen, was ich denke, bevor ich höre, was ich sage! (Together with Carsten Hoeller) a production by Casino I., Red Salon in the Volksbühne, Berlin
King's Cross Project, Public Art Development Trust, London


PUBLIC COLLECTIONS

Honart Museum / Ebrahim Melamed Collection , Teheran
Sammlung Goetz, München
Astrup Fearnley Museum of Modern Art, Oslo
Saachi Collection, London
Skulpturenpark, Tilburg
Museum of Modern Art, New York
FRAC Champagne, Reims




BIBLIOGRAPHY

2007 Bart van der Heide, Lothar Hempel, Frieze, Issue 110, October
Judd Tully, Editor’s Picks: The Best of Frieze, Art Info, October 12/14
Basel Show, Case de Abitare, Issue, 110, September
Claire Moulène, Lothar Hempel, Artforum, Summer 2007
Vincent Pecoil, Lothar Hempel, Flash Art, May-June, p 137
Manuel Cirauqui, Memories of a Mask, Lapiz: Revista internacional del art,
No. 233, May, pp 66-75
Lisa Turvey, Lothar Hempel, Art Forum, January, p 125

2006 What’s on, The Art Newspaper, No. 169, May
I Love My Scene: Scene 1, Ken Johnson, The New York Times, February 17,
Art News, Feb 2006, no 165

2005 Noah Chasim, Marvel and Fieber/Fever, Time Out New York Magazine, January 13 – 19, p. 57.
Goetz, Ingvild & Rainald Schumacher. Imagination becomes Reality, Part II. Painting Surface Space, Sammlung Goetz, Munich

2003 Melissa Gronlund, Lothar Hempel, Contemporary, No. 52, 2003

2002 John Russell Taylor, Road From Nowhere - Lothar Hempel, The Times, London, September 2002
Nick Hayworth, Making Light of Heavy Themes, Evening Standard, London, September 2002
Lothar Hempel – ICA, ARTPREVIEW, September 2002
Lothar Hempel, I-D Magazine, September 2002
Fisun Guner, Don’t Believe the Hype, MetroLife, September 24, 2002
Vincent Pecoil, Lothar Hempel at Art: Concept, Paris, arttext, Spring 2002
Benjamin Weil, Lothar Hempel, Flash Art, May-June 2002

2000 Jörn Ebner, Lothar Hempel, Kunstmagazin No. 43, 2/2000, pp. 30-33
Justin Hoffmann, Lothar Hempel, Kunstforum, Bd. 150 (April-June 2000), p. 430

1999 Jennifer Higgie, Let’s get Lost, Frieze, issue 48, September-October, 1999
Bill Arning, Lothar Hempel, America Disappears/Only the Smiles Remains, Time Out New York, April 29-May 6, 1999 – p. 65
Michael Archer, Lothar Hempel, Art Monthly, n. 225, April 1999, p.29-30
Barbara Steiner, Snipers, Lotusclub and more..., NachWeimar (exhibtion catalogue)
Jan Verwoert, Lothar Hempel, Springerin, Nr. 2/1999 (March-June)

1998 Benjamin Weil, Lothar Hempel, Flash Art, March-April 1998 – p.108

1997 Jennifer Higgie, Lothar Hempel, Frieze, issue 37, November/December, 1997
Lothar Hempel, Jodie, Permanent Food, Paris
Jan Avgikos, Angus Fairhurst and Lothar Hempel at Anton Kern Gallery, Artforum. October 1996.
Carl Freedman, Traffic, Frieze, May 1996
Traffic, Artforum, May 1996

1996 Christian Schneider, Hempel, Höller, Eliasson, Metropolis M, January
Lothar Hempel, Let's smile forever,"ZAP-Magazine, Amsterdamned

1995 Lothar Hempel and Olafur Eliasson, Kryll as the Food of Tomorrow,"Buffalo Bill, September

1994 Lothar Hempel, Let yourself go,Documents, March, 1994
Benjamin Weil, Souvenirs des Immateriaux, Purple Prose, vol. 3

1992 Gregor Schwering, Junge Kunst aus Köln,"ZYMA, November 1992
Lothar Hempel, Ballance Akt, AMOKKOMA , vol. 3
Lothar Hempel, Ich kämpfe um Dich,Purple Press, vol. 2


MONOGRAPHS/CATALOGUES

2008 Il Casanova di Federico Fellini: Lothar Hempel, published by Douglas Hyde Gallery, Dublin
Kobel, Stefan: Lothar Hempel, abc art berlin contemporary newspaper, Berlin

2007 Lothar Hempel – Alphabet City, Le Magasin, Grenoble
Pale Carnage, Arnolfini, Dundee Contemporary Arts, Bristol/Dundee

2006 Umbrella, Anton Kern Gallery, New York

2005 Butterfly, c/o - Atle Gerhardsen, Berlin

2002 Propaganda – Lothar Hempel, ICA catalog, edited by Emma Stern, interview with Toby Webster,

2001 Uniform: Order and Disorder, P.S.1, New York

2000 Helga Meister: Und kein hinkt?, Wge vom Schwegler wegzukommen, Kleve
Lens & Paper, Gemeentemuseum Den Haag/ Kunsthalle Baden-Baden

1999 Officina Europa, Galleria d’art moderna Bologna
Ars Viva 98/99 Installationen, BDI, Cottbus/Braunschweig/Frankfurt

1998 El Nino, Museum Abteiberg Mönchengladbach

1997 X2 Wiener Secession, Vinna
Delta, Musee d’art Moderne de la Ville de Paris
Surprisen 2, Kunsthalle Nurnberg

1996 PUSH UPS, the factory, Athens Fine Arts School, Athens
TRAFFIC, CAPC Museum, Bordeaux

1995 X/Y, Centre Georges Pompidou, Paris
I Confess, Nicolaij


AUDIO/VIDEO PUBLICATIONS/EDITIONS

1995 "More Startrax," featuring Kai Althoff & Justus Köhnke, a collaboration with
Parthena Trellopoulos, 7" vinyl single
"Chapter 69 - the Early Years," 3 videos by Lothar Hempel, videocassette VHS Pal, 30," Editione Gregorio Magnani

1994 "Startrax," featuring Absolut & Superstar, a collaboration with Parhtena Trellopoulos, 7" vinyl single
"We believe in You," Videocassette VHS Pal, 8:20," Edition Sabrina Grassi

1993 "A Very Sad Story," Videocassette VHS Pal, 7:30," Edition Daniel Buchholz
"LOVE IS NO FOUR LETTER WORD," the favorite lovesongs by twenty male artists, audiocassettes

1992 "240 Minuten," Videocassette VHS Pal, 240," Edition by Es