Art history has long been shaped through a limited set of perspectives.
Women in Louvre II responds to this historical imbalance by repositioning women artists at the center of contemporary cultural discourse, asserting their role not as peripheral participants, but as active contributors to the evolution of art history.
Returning to the Carrousel du Louvre, the exhibition establishes a curatorial framework that foregrounds visibility, authorship, and artistic legacy through a contemporary international lens.
The project brings together a diverse selection of women artists whose practices span identity, society, materiality, and conceptual inquiry. Across different mediums and approaches, their works reflect a shared capacity to transform space into narrative, and artistic expression into historical dialogue.
Rather than presenting a fixed interpretation, Women in Louvre II operates as a curatorial statement — one that challenges the traditional boundaries of art historical narration and expands the understanding of who shapes it.
Within this context, the exhibition positions women artists not as subjects within art history, but as agents actively contributing to its ongoing rewriting.
Step into this space, and encounter an evolving narrative where artistic vision becomes cultural memory, and where contemporary practice engages directly with the construction of art history itself.
Art history, rewritten by women.
Featured artists:
Aimee McCartney, Alexandra Monteiro, Angela Thouless, Anna K. Sherrard, Asia Serbina, Carolyn Hardy, Chantell Van Erbé, Elena Olmos, Heather Green, Kristin Thomas, Limone Wolff, Mabry Anderson, Mari Ratia, Maricarmen Puente Montes, Maryom, Mini Mukherjee, Molly Winckelmans, Mona Mo.Leo, Natalie Angel, Natalie Dohman, Nynke Camps, Olga Tkachyk, Salud Rodriguez, Sarah Holland, Simona Ray, Whitney Walker-Gill
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Media Partner: Art HERstory Magazine
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Images © Anna K. Sherrard (@photography_by_akh)
